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About Judith

Seeing Israeli & Jewish Dance

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A Bibliography
of Writings

Selected Choreography
for Voices of Sepharad

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Brin Ingber's Dance and Chorography Slide Show

Judith on Facebook


Judith Brin Ingber

Photograph by Bette Globus Goodman

Watch Judith dance in her recent piece "Stepping into Heaven" here.


Watch Judith discuss the growth of dance in Minnesota from the 1950s to today, in July's Minnesota Playlist.

“Seeing Israeli and Jewish Dance”
Leading Judaica publisher Wayne State University Press (http://wsupress.wayne.edu) will produce a remarkable book on the diversity of dance in Judaism and in Israel edited by Judith Brin Ingber  expected in the spring of 2011. The book includes twenty stimulating essays by American, Israeli, and European dance  historians, critics, sociologists, ethnographers and dancers, richly illustrated with 180 dance photos.  

View a few of the illustrations for "Perspectives on Israeli and Jewish Dance".

For further info contact Judith Brin Ingber.


SEE Judith’s presentations in podcasts from the first Conney Conference on the Jewish arts called “Practicing Jews: Art, Identity and Culture," spring of 2007 and at the conference “Performing Histories, Inscribing Jewishness,” spring of 2009, held at the University of Wisconsin. Follow link: conneyproject.wisc.edu/2009-conference

      Judith’s two papers are included in the conference proceedings: Read them here


See a video of Judith presenting Identity Peddlers and the Influence of Gertrud Kraus
at the University of Wisconsin.



Judith wins Special Citation Sage Award!
StarTribune Article


“Judith Brin Ingber has chosen to celebrate the Jewish body and tell our amazing story in dance, and we can be glad of that. ‘When the heart is glad,’ goes the old folk saying, ‘the feet are ready to dance.’”

Mordecai Specktor, American Jewish World
May 17, 2002

“The beauty, expertise, scholarship, and professionalism that informs your performance is truly moving...for those few of the people who thought Sephardic music and dance foreign was not easily accessible, your performance was a valuable introduction...”

The Wexner Foundation,
New York